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  • Abbas Kiarostami: Un Certain Regard. Omid Rohani, 1993
  • Alice Doesn’t. Teresa de Lauretis, 1984
  • An Anagram of Ideas on Art, Form and Film. Maya Deren, 1946
  • The Apu Trilogy. Richard Ayers, 1966
  • Art-Rite: Video. Walter Robinson; Edit deAk; Vito Acconci; Joan Jonas; Richard Serra [...], 1974
  • Blackframes: Critical Perspectives on Black Independent Cinema. Mbye B Cham; Claire Andrade-Watkins, 1988
  • Black Film Bulletin. John Akomfrah; Gurinder Chadha; June Givanni, Gaylene Gould; Simon Onwurah, 1993
  • Brakhage. Dan Clark, 1966
  • The Celluloid Closet: Homosexuality in the Movies. Vito Russo, 1987
  • Chaos Phaos I. Gregory J. Markopoulos, 1971
  • The Cinema of Satyajit Ray. Chidananda Das Gupta, 2001
  • Circles of Confusion: Film Photography Video Texts 1968-1980. Hollis Frampton, 1983
  • Commentaires. Chris Marker, 1967
  • Conversations With Mohsen Makhmalbaf. Mohsen Makhmalbaf; Hamid Dabashi, 2010
  • Coréennes. Chris Marker, 2009
  • Creative Film-Making. Kirk Smallman, 1969
  • The Culture Intercom. Stan VanDerBeek, 1966
  • Le Dépays. Chris Marker, 1982
  • Dialogue on Film: Cinematographers. Laszlo Kovacs & Vilmos Zsigmond, 1974
  • Dreaming in Motion: Celebrating Australia’s Indigenous Filmmakers. Maureen Barron; Lester Bostock; Keith Gallasch; Sally Riley, 2007
  • Eclipse. Michelangelo Antonioni; John Ivan; Simon John; Stanley Kauffmann; Jonas Mekas; Russell Taylor, 1965
  • El Norte: The U.S.-Mexican Border in Contemporary Cinema. David Maciel, 1999
  • Expanded Cinema. Gene Youngblood, 1970
  • Fassbinder: Film Maker. Ronald Hayman , 1984
  • The Fright of Real Tears. Slavoj Žižek, 2001
  • Film Society Primer. Cecile Starr, 1956
  • Filmwise 2 : Maya Deren. P. Adams Sitney, 1962
  • The Films of Andrei Tarkovsky. Barry Scherr, 1986
  • The Films of Robert Bresson. Amedee Ayfre; Charles Barr; André Bazin; Raymond Durgnat; Daniel Millar; Leo Murray, 1970
  • Frederick Wiseman. Thomas R. Atkins, 1976
  • The Future of an Illusion: Film, Feminism, and Psychoanalysis. Constance Penley, 1989
  • The George Kuchar experience. Steve Reinke; Robert Lee; Steve Seid, 1996
  • God’s Bits of Wood. Ousmane Sembène, 1970
  • Godard: Images, Sounds, Politics. Colin MacCabe, 1980
  • Le Quattro Volte. Michelangelo Frammartino, 2010
  • Harun Farocki: A Retrospective. ed. Neil Christian Pages, Ingrid Scheib-Rothbart , 1991
  • How Do I Look?: Queer Film and Video. Bad Object-Choices, 1991
  • Images at the Horizon. Werner Herzog & Roger Ebert, 1979
  • Jean-Luc Godard. Richard Roud, 1968
  • Lancelot du lac. Robert Bresson, 1974
  • Life and Art: The New Iranian Cinema. Sheila Whitaker; Rose Issa, 1999
  • Magick Lantern Cycle. Film-Makers' Cooperative, 1966
  • Modern Nature. Derek Jarman, 1994
  • Moving the Image: Independent Asian Pacific American Media Arts. Russell Leong, 1991
  • Native Americans on Film and Video. George Eager; Elizabeth Weatherford , 1981
  • New Latin American Cinema. Michael T. Martin, 1997
  • Notes on Cinematography. Robert Bresson, 1977
  • Our Films, Their Films. Satyajit Ray, 1994
  • Pier Paolo Pasolini. Pier Paolo Pasolini; Alberto Moravia; Marc Gervais; Diego Galán; Jean A. Gill, 1976
  • Questions of Third Cinema. ed. Jim Pines and Paul Willemen; Reece August; Charles Burnett; Teshome H. Gabriel; Haile Gerima; Trinh T. Minh-ha, 1989
  • Radical Software: Video & Kids. Peter Haratonik and Kit Laybourne, 1974
  • Re-Vision: Essays in Feminist Film Criticism. Mary Ann Doane, 1984
  • Screenplays of the African American Experience. Phyllis Rauch Klotman, 1991
  • Structural Film Anthology. Peter Gidal, 1987
  • The Struggle for Black Arts in Britain: What Can We Consider Better Than Freedom. Kwesi Owusu, 1986
  • Third Cinema in the Third World: The Aesthetics of Liberation. Teshome H. Gabriel , 1982
  • A Toolkit for Inclusion & Accessibility: Changing the Narrative of Disability in Documentary Film. FWD-Doc, 2021
  • A Violent Life. Pier Paolo Pasolini, 1985
  • Wim Wenders. Jan Dawson, 1976
  • Women’s Cinema in Germany. Claudia Lenssen, 1980
  • Young British & Black. Coco Fusco, 1988